While I have dabbled in fabric, thread and yarn most of my life, I became a serious artist about five years ago. I make art because it is fun. I don’t have to, as in I will die if I can’t, I don’t need to as in I need the money to live. If I needed the money that badly, art is certainly not the field I would choose for employment! The wealthiest artists are the dead ones.
I just make art because it transports me to the fun house where there are no rules, only colors, textures, patterns and absolute joy! And even though I consider myself a professional artist, the time I do actually spend in the fun house as compared to the time I spend everywhere else is miniscule.
Thirty years ago I was a hand-weaver. After weaving lots of yardage and nothing much else I collaborated with my cousin on a booth at a holiday crafts fair. She was etching glass and made tree ornaments and a few small window pieces so I also made handwoven mandala ornaments and some purses. From there we went on to festivals and mostly what I learned from these experiences were those most successful at selling were the food vendors! I also learned I didn’t want to dummy myself down by making small trinkets just to turn a buck.
A few years ago I found myself once again marketing hand-dyed, hand-painted silk scarves at two local galleries. It was quick and dirty work until the owners began to request I rotate the stock with ‘Mother’s Day colors’ or an ‘autumn palette.’ I amassed an inventory of returned merchandise and began to feel like a distributor, not an artist! I had been seeking something small to market that did not take from my already precious studio time. Soon it did take over, and the tail began wagging the dog…again!
In June when I joined the ACCI cooperative in Berkeley, I quickly came face to face with the canine posterior once again. Do I dummy down and make smaller and smaller STUFF to put in the gallery to sell, while I gain exposure for my larger work? This goes so much against my grain and yet it continually comes to the surface in my life.
It gives me great pause for reflection for just that reason. It just keeps coming to the surface. I often wonder if that of which I am so resistant is really something I need to learn; or is it my intuitive voice just saying ummm, no thanks!
Whatever! This struggle is keeping me from working. I need to put my blinders back on and press on making work that I love, work that sings to me; after all I am in this for myself!!! And perhaps with less analysis this tail-wagging will work its own way. Otherwise, it will just re-surface later on down the path.