out and about…

detail of stitching on  canvas

detail of stitching on canvas

Another month has zipped by…do we see a pattern here? I continue on my series which I am so loving. I worry a bit about what I will do when I finish it next year but then I chase that thought away. I will deal with that when I get there. In the meantime I am having such a great time.

I am currently doing some handwork on #12 which was an afterthought piece. And I have gathered the memorabilia and collectibles to begin #15 which is about meeting Mr. Right. I have some great things to work with including his Eagle Scout sash and uniform, which is another sacred garment to dismantle!

Last week I took a four day jaunt up to Portland to see good friends and to take an art class at OCAC. Synchronistically both Franki and I have been craving some hand-stitching so Radical Embroidery seemed to be just the ticket. It was a great class taught by Victoria May, and chock full of inspiration from the work of other hand-stitchers and our classmates. By the fourth day my stitching became very radical and I was enamored with stitching again. While I plan to complete my class samples eventually, I went straight to work on #12 when I got home. Details to follow…

Napa county salt pond,...looks like a Diekenborn

Napa county salt pond

In the meantime my work was selected for a future issue of Art Quilting Studio magazine so I need to prepare the text for that. And also had work chosen for the Boundaries exhibit at the Sebastopol Center for the Arts. I went to the opening reception last night and was very intrigued by a photography exhibit on sexual abuse in one of the smaller galleries within the center. It was crowded and I could not get close enough to read the statements, so when I went back today to give my spiel for the docents’ talk I went through the photography exhibit.

I was so moved. Here is another woman, another artist, speaking her truth, telling her-story which is by no means pretty. This was my first experience since going public with my own story, to read and observe another’s. Stephanie Hamilton-Oravetz was there so I spoke to her and told her how meaningful her work was. Actually the photography was done by another, but she was the model, acting out her childhood emotions for the sexual abuse she suffered. It was such profound & moving work. She and I agreed that so much healing came to us from telling our stories. And it reminded me again how every single one of us has a story. Yet very few have the courage to speak it. To do so is extremely liberating. So I keep on…telling stories while I observe my own transformation from visual artist to storyteller. It may just be what I’ve needed to be doing all along.

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