Archive for the ‘textures’ Category

a taste of santa fe…

Tuesday, April 30th, 2013

nm-sky

A few years ago I celebrated my 60th birthday in Santa Fe, NM and declared then that it was my last trip to the Land of Enchantment. Truth be told it was my 13th trip and I felt I had been there/done that. That is until SAQA announced their annual conference would be held in Santa Fe, NM. I could not make reservations fast enough!

Initially hubby was going to go along and we were going to drive as the country between here and there is vast and glorious. About a month ago he decided he would rather stay home and plant his summer garden than ‘kill time’ in a place he had been to 5 times. So I booked a flight and have just returned from the most wonderful, relaxing, indulgent, stimulating and soul-enriching week in the city different. It may have been my final trip there or not …

Because I have been so many times before I did not even bother to take a camera. Instead I used my iPhone from which I have learned to embrace Photo Stream…no more tedious downloads. I also did not take an excessive amount of photos which really was a relief as I already have so many. This trip however seemed to carry a central theme and that was… food. Lots of great food!

In an Einstein moment my friends Franki Kohler, Franki’s husband David, Gay Young and I signed up for a three hour molé cooking class at the Santa Fe Cooking School.

cooking_school

We watched with interest and intrigue as the two chefs prepared an entire meal of chocolate & chile delight and then served us the results. Gay quickly became my Lactaid dealer allowing me to fully embrace the NM dairy experience. The warm Mayan chocolate pudding was possibly the best chocolate anything I have ever eaten! We left with full bellies and itemized recipes (which I seldom use but in this case will… at least once). We bought spices in the shop and vowed to take a local culture cooking class wherever we travel from now on. And we jotted down the chef’s recommendations of the best food in SF and managed to get to several before leaving. I felt sad for the conference attendees who dined only at the hotel restaurant. They missed so much!

I indulged in a three-hour spa treatment at Ten Thousand Waves, a Japanese spa higher up in the mountains. My treatment included a facial and I committed to remembering the names of the 8-9 luxurious organic processes layered onto my skin but alas forgot them! This morning while walking I tried to again remember the names but only came up with it felt just like a PB&J to the face! Ymmm…

bobcat-ranch

We went to Bobcat Bite for the best green chile cheeseburger in the state. As one who seldom eats beef, I decided to go whole hog (or whole steer) and add bacon to my GCCB! Fabulous. On my way to the airport I stopped at the Range Cafe in Albuquerque for a last ditch green chile indulgence of huevos rancheros! Sure beats airport food.

huevos_rancheros

Over the years one thing has been consistent in my Santa Fe photos…lots of doorways and passageways.

sauer-doorsauer-gateIn fact my first award-winning work was inspired by a Santa Fe doorway. I also took a requisite number of texture and pattern shots.

freeway

Even the freeways are beautiful in New Mexico!

Beyond the food of course was the conference, a chance to reconnect with peeps who speak my language, perusing galleries, a wonderful art quilt exhibit at the state capitol, wearing my favorite Native American art and the acquisition of more….it’s my birthstone after all!

The best part of this trip for me was a chance to just be myself and relax after a tough two years. I feel grateful that all my post-surgical rehab and hard work enabled my body to function as it should, grateful that my husband gifted me this time to recharge my batteries, grateful for good friends to share this adventure and blessed to be energized to get back to art-making.

 

graffiti

boots

baby’s got new shoes…

Friday, March 15th, 2013

hi-top

 

 

The creativity door has opened! I attribute it to two things. First I walked the outlet mall for my exercise last week and in the process bought four pairs of Converse ‘chucks’ (i.e. Chuck Taylor.) Also last week I made the decision to back off such vigorous training/rehab of my knee. Having suffered 3 injuries in two weeks time I decided to continue the work but not at the pace I was going. And somehow ending that obsession opened the door and allowed the muse to slip back in…hallelujah! So in addition to painting shoes and an old Donna Karan bag I am also designing and stitching new work.

So this post is about the shoes. I’ve been asked to show the process. So this is it…pretty simple!  First we have the before photo…the traditional black, a pair navy blue with a shallow sole (more like Keds), a black leather hi-top and  a rust/orange (go Giants!). shoes-beforeshoes-before_blk-orgshoes-taped

First I mask off the shoes, usually while watching TV and with no rhyme or reason. Basically I want to keep the paint off the sole, toe cap and sidewalls. I also remove the laces.  Then I just go to town with Jacquard textile paints. I painted in layers returning after a few days to put on the 2nd layer. That really helped my ‘planning’ or lack thereof because after the shoes sat for a couple of days I was more clear in how  to proceed.  I used brushes, rollers and hand-cut stamps to get the effects I wanted. I also wore mask and gloves because the paint is really nasty!

Voila….the finished pieces.

purp-goldThe black is now black, purple and old gold with a khaki colored lace which was one of two pairs of laces that came with the leather hi tops. Love it!

The navy is painted with “adidas” type stripes… one side is purple metallic and the other is grape metallic and the tongue is copper metallic and laced in navy.

navy

org-purp-shoes

The rust is purple and brass with purple laces

and the black hi top is purple, copper, and cobalt metallic with black laces.hi-top_best The tongues are as important as the shoe itself as they do show through.

Also on some materials the tape does not adhere as well so there can be some ‘imperfections’ i.e. uneven lines, but who cares? If there are shoe police I am already in deep trouble!

Now that I have these four new pairs I think I can safely part with older painted shoes that are worn. Or maybe not…

saqa auction…

Wednesday, September 12th, 2012

The annual SAQA auction is off and running and I have been patiently waiting for the reverse auction price to drop so I could purchase two of my most favorite pieces. For the past six years I have been acquiring first one piece, then two, and one year three pieces of two genres of 12″ art quilts.

Our guest room boasts a collection of blue tones that all have a circle within the design. There are now five pieces in that collection. Today I added another which ironically has no large circle but the hues of blue are so vibrant and enchanting I doubt it will be noticeable. I have long admired the work of Benedicte Caneill and last year had the opportunity to see a large work of hers up close and personal at the San Jose Museum of Quilts and Textiles. So when I saw this one I knew it had to be mine!

Our guest bath is home to the second collection which now has three pieces. The walls are pumpkin and the works are predominantly earth tones with one large piece I designed of vintage silk kimono remnants in purple and orange.  As a huge fan of Deidre Adams, her work and philosophy I could not be happier to add her work to my collection.

As the walls in our home continue to bear art I keep wondering how I can possibly add more? And yet every year I manage to find room for more beautiful art …and for such a great cause.

And what goes around…I just noticed that my piece Currents #18 just sold also. Yippee!

rituals…

Saturday, July 7th, 2012

This spring my work Keeping Up Appearances #5 was selected for the Dinner@Eight annual invitational exhibit. The theme was ‘Rituals’ and I chose the ritual of table setting for my piece.  The exhibit catalog   is now available from Blurb. It’s a beautiful book!

For this piece the main fabric was what else? a heavy cotton  tablecloth woven in metallic threads in a block pattern.  I screen-printed more of the 1950′s etiquette text on this cloth last fall just before I had my first knee replacement.

The fabric hung on my design wall all throughout my recovery as my inspiration to begin anew. My original idea underwent a metamorphosis during that time and I ended up designing something completely different. I used tulle between layers which basically created a nightmare for stitching but in the end I was pleased with the results.

Now just ten days from my second knee replacement I am thinking about what I want on the wall next to inspire me!  There have been some fabrics pinned up there for awhile that still inspire but as my father’s health declined nothing was started. So these fabrics will remain there but I may draw the template for another stone path piece now when it is easier physically to do so.  I anticipate a much more rapid recovery this time around because I do know what to expect.  Yet in reality I just have my eye trained on the prize…being fully mobile in the world once more.

lake mac donald…at last!

Tuesday, May 1st, 2012

I’ve finished this piece on Lake MacDonald which I started in an abstract landscape class with Patty Hawkins in March. Normally I finish work quickly but not so in this case although I can say I really enjoyed taking my time with it.  I created a lot of texture in the mountains, ripped out the sky twice, and left the water reflection to the end because I was so intimidated by it. And yet it worked and I am inspired to ferret out more landscape photos from travels…a lifetime supply no doubt.

The original image was taken through over-hanging branches. In the end I could see it surely did not need any more layers of fusing or stitching, proving that contrary to popular belief you can mess with mother nature!

Because I have found my artistic voice I seldom take workshops anymore but I always learn something when I do. Sometimes it is that I never want to do said technique again and to me that is worth the price of admission.

What I learned this time is how much I love designing landscapes. They are a wonderful puzzle of value and texture. It is great fun to audition fabrics until just the right one pops the composition. I also learned that as much as I love the ease of designing with fusing, I hate stitching through what could become 5-6 layers of fused fabric. I plan to continue with more landscape work although using more piecing and applique than fusing whenever possible.

The next piece is a detail of a cropped landscape thereby making it very abstract…stay tuned.

 

we be furoshiki…

Friday, April 27th, 2012

Last year I was approached by Deb Cashatt and Kris Sasaki, the Pixeladies about discharging cloth (removing color) as samples for their new book on Furoshiki. Up to that point I had never heard of Furoshiki but I am always game to learn something new and to see my work in print.  So I WTS Furoshiki and began to learn about the Japanese art of fabric folding. Think origami but with cloth.

I went on my merry way discharging  grey Kona cotton to get this… and  black rayon for  this …When the book was published I was thrilled to see my work in living color on page 90.  I bought four extra copies of the book and gave them to friends. That’s when the fun began. One friend said that other F word commonly came to mind as she attempted Furoshiki!  She noted it is important that the cloth be large enough before proceeding. I had also learned that when I tried unsuccessfully to double fold two paperback books.

Then I decided to cover sofa pillows and this is the result.  The cloth was a vintage damask tablecloth which I had dyed, discharged and painted 3 years ago for an Art Cloth Network exhibit. It’s languished on the shelf since. It is a beautiful piece but for what purpose?   It took me just seconds to cut it in two and then literally five minutes to cover these pillows.  One uses the right side of the cloth… and the other the ‘wrong’ side. Voila…furoshiki!

Thanks Deb and Kris!

what i learned in texas…

Tuesday, April 24th, 2012

We’ve returned from what will likely be our ‘big’ trip for the year. I am between knee replacements strong enough to wander yet preparing psychologically for round two this summer. Then..Katie bar the door I will be ready to fully roam once more.

Last week we participated in a Road Scholar program in Austin and San Antonio, TX.  We enjoy Road Scholar as hubby gets his fill of history and revolution as I soak up everything visually delicious plus meet interesting people from all over. Additionally I am convinced the fountain of youth is to be had in hanging with older folks because they think we are just kids!

I experienced so much pre-trip mobility angst that for the first couple of days there my brain was full and I could not absorb any new information.  As I was able to negotiate my way around Austin I started to relax and began to witness the texture, pattern and color of Texas. Not to mention the incredible barbeque and pomegranate martinis!

We arrived into Austin two days early to explore on our own and booked a lake-view room so that we could witness the bats fly out from under the Congress St. Bridge at dusk. Hubby went out onto the bridge nearly every night as I glowered from the room but neither of us ever saw a bat. About the 3rd night I began to think that looking for bats anywhere was really a bit odd!

The awakening of my right brain began at the State Capitol where I captured this view of the rotunda through ceiling glass. The exterior of  a barbeque restaurant also caught my eye.

 

 

 

What would a trip to Texas be without boots? A friend steered us (pun intended) to a cowboy boot store that must have had 3000 pairs of boots, many embroidered. I was lucky they did not carry my size or I would still be there trying to decide which pair I wanted to make me walk two inches taller!

 

 

As we moved into the Hill Country I shot lots and lots of landscapes and the worn vintage lino in the kitchen of LBJ’s boyhood home.

 

 

 

 

 

… rocks at a rest stop.  I was capturing images on the ground, up the side of the wall, and even peering into glass brick bathroom windows!

 

 

At the missions in San Antonio …

…pattern in unexpected places…the metal awning at a Luby’s Cafeteria

…passageways… @ the mission and McNay Art Museum

 

 

 

 

 

 

…signage…is it just the dyslexic in me? I love the humor in this…parking to take away customers?!

 

Shortly after my right brain came to life I began to ponder what it was I was supposed to learn on this trip chock full of history.  And then I forgot all about it until the flight home when it  came to me. It’s about writing.

I was captivated by Lady Bird Johnson’s diary of her time as first lady. I opened the volume in a bookstore and turned immediately to 1966 when LBJ dedicated the Point Reyes National Seashore (about 20 miles from my home) and she had breakfast in bed in a San Francisco hotel overlooking the bay, or harbor as she noted. I have always loved reading biographies which essentially is history with a voice. I decided to both read the book and resume my own writing.

A gut reaction came…who would read it? Who cares? It doesn’t matter. What matters is I write it, I chronicle my life, especially when one day blurs into another and years zip by. Wouldn’t it be grand to have something tangible and of substance to chronicle my days instead of a Facebook timeline or a stack of returned emails? Granted I won’t be giving up my internet habits any time soon but instead setting a priority to recognize the essence of  my daily existence.

As  ‘writing’ came to me on the flight two other instances in Texas came to mind: a storyteller and a visit with a good artist friend our last day there.  Indeed…writing it down was the message from my Texas experience!

There were also epiphanies about new work which I will share in another post…

 

 

new work…

Thursday, March 22nd, 2012

Since I finished the massive documentation project I decided it was time to re-immerse in some art making.  And so these are two new pieces  Currents #19  and  Currents #20.  I continue to be fascinated with the curved line and now have entered the twenties with this series.  This same curved line has also worked itself into two other series running concurrently Keeping Up Appearances  and Upheaval.

The curved line has really come to represent my work. And it happened only when I got out of my own way and noticed that any doodle I made always had a curved line within it.

More than a decade ago when I began this work I thought those who worked in a series were boring,  lacked imagination, and had only one idea which they were going to make until they died!   As I became more artistically astute I became aware of identity and cohesion when making art. As I entered more shows and processed entries for others I began to see a pattern of  artists whose work all identifies as their own.

In January I had the honor of  being a juror for an art quilt exhibit and again it came through so loud and clear about having one’s voice; making work that looks like it came from the same hand.

It has been a lifelong pattern for me that anything that peeves me generally ends up being something from which I am to learn. Lesson learned: I plan to continue to design more curved line work as it inspires me. It is a metaphor for the lifeline, always in flux, always in movement, always changing.

The accent piece in Currents #20 was a well worn dishtowel, found in my father’s kitchen, with the word ARTICHOKE printed underneath what else? an artichoke!  I dyed, screen-printed and inserted with some incredible soy wax batik. No doubt that artichoke towel was one of a series someone designed and sold to a kitchen store in years gone by. There’s that lifeline again…

 

 

just start…

Wednesday, February 22nd, 2012

This afternoon I took time to go into the studio and just start. My wise friend Miriam Nathan-Roberts says when the muse is dormant just start! She is wise because it works.

Soon I was engrossed in the process and created this square from a linen dinner napkin for the  2012 SAQA fundraiser auction. Designing a 12″ square block is a great exercise in spontaneous creativity….at least for me.  I imagine there are some who carefully plan  theirs but I am more prone to spontaneity so other than fuss over contrasting curved lines it was all play with this piece.

Stay tuned…the auction is this fall. You too could own a wonderful piece of textile art while benefiting our professional organization.

new work…

Thursday, January 26th, 2012

Today I managed to get to the basement to photograph two new pieces. I accessed the lower portion of the house by going out the front door and around the side to the back door with only two steps that direction.

I returned via the interior staircase, 13 in total which I managed easily one foot at a time. It was exhilarating all the same to manage the 13 stairs three months after a total knee replacement.

These two details are from the Keeping Up Appearances series which is a narrative study of mid-20th century etiquette.  KUA#4 was finished all but the stitching and hanging on my design wall when I went in for surgery as incentive to get back to stitching  as soon as I could push the pedal. It worked!

KUA#5 was but a figment in my imagination. The cloth was painted and prepped and also on the wall as incentive to design again.  It underwent several transformations in my mind before I actually picked up the rotary cutter. It was challenging to construct with layers of tule between a thick cotton tablecloth woven with metallic threads and various fused layers but in the end it all worked out and I like it..what more can you ask?

So now the wall is bare again.  I must get in there and put up something if only just a piece of batik. A blank wall does not inspire!  It’s nice to be back in the saddle!